The film “Amen.” examines the links between the Vatican and Nazi Germany. The central character is Kurt Gerstein, a member of the Institute for Hygiene of the Waffen-SS who is horrified by what he sees in the death camps. Moreover, he is shocked to learn that the process he used to purify water for his troops, by using zyklon, served as a basis to kill people in gas chambers.
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When Lane McCrae confronts the outlaw that murdered his family, the battle leaves him fatally wounded. He is visited by the Devil, who offers him a deal that would save the lives of both he and his brother, but instead makes him a bounty hunter for Hell replacing his predecessor. When Zathera, the embodiment of death, walks the earth, it’s up to Lane, Hawk and their team, to stop her before she wipes out humanity. They are not the only ones hunting Zathera though – there are others who want to reach Zathera first, for plans of their own!
When a depressed woman is burglarized, she finds a new sense of purpose by tracking down the thieves alongside her obnoxious neighbor. But they soon find themselves dangerously out of their depth against a pack of degenerate criminals.
The fictional Father Ángel de la Cruz is based on Legion of Christ
founder Marcial Maciel, whose long history of child abuse was not
addressed until 2006 and only publicly acknowledged in 2009.
But director Luis Urquiza chooses to structure his film through the
largely uncomprehending, wondering eyes of 13-year-old Julián, who
travels from the arms of his loving pastoral family into the austere,
hallowed halls of the seminary. Singling out the boy as his intimate
disciple, installing him in his palatial private quarters and redubbing
him “Sacramento Santos,” Father Ángel begins Julian’s instruction
into the mysteries of “perfect obedience,” whose cardinal rule is:
Never question a superior’s actions.
The film is a coming-of-age story of a young boy named Apu, and life in his small Indian village in the early years of the 20th century. Apu is born to a poor Brahmin family in Bengal. His father Harihar is a priest who dreams of becoming a successful poet and a playwright; he does not earn enough, but the mother Sarbajaya keeps the family going. Because of their limited resources, Sarbajaya resents having to share her home with Harihar’s elderly cousin: the old and helpless cripple Indir. Apu’s sister Durga is always getting into trouble for stealing guavas from the neighbour’s orchards for Indir. She cares for Apu like a good older sister but loves to affectionately tease him. Together, they make do with what they have and enjoy the simple joys of life.
On the way to his mother’s funeral, a detective accidentally hits a person with his car. He takes the body with him and puts it into his mother’s coffin. The moment he feels relieved, he receives a call. This caller insists that he saw the detective’s hit-and-run, but instead of asking for money, he wants to know about the body’s whereabouts, leading to a do-or-die showdown of the witness and detective.
It’s the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life at the Beauregard is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock is not what he appears to be. The news is particularly shocking for her frail daughter, Sibyl, who is secretly in love with the Major.
At long last, Madea returns to the big screen in TYLER PERRY’S MADEA GOES TO JAIL. This time America’s favorite irreverent, pistol-packin’ grandmomma is raising hell behind bars and lobbying for her freedom…Hallelujer!
A young woman Mianhua (“Cotton”) gets a job which she has never done before: to be a full-time caretaker of an old stubborn boxer who suffers from Alzheimer’s disease. The old man’s son with his later wife lives overseas and almost takes no care of him, and his daughter with his ex-wife hires Mianhua to take care of him – but the daughter distrusts and despises all nannies for “knows only lying, abusing, and taking advantages”. Under the same roof, however, the old man and Mianhua start to get along with each other well over time, and he starts to mistake Mianhua as his ex-wife whom he owed a love debt to. All of a sudden, Mianhua finds out that she got pregnant…