No other band in rock roll history has rivaled The Stooges combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a front man who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.
You May Also Like
Director and Writer Eric Dow (“Honor in the Valley of Tears”) brings us his second documentary as he goes behind the scenes of the fan fiction short film, “Batman: Dead End.” In the winter of 2003 commercial director Sandy Collora and some of his friends set out to make a low-budget short film for his demo reel. What they wound up actually doing was making one of the most elaborate, most watched, most talked about and most controversial short films ever made: Batman Dead End. Considering the amount of press and admiration Batman: Dead End garnered,
NOTORIOUS is the story of Christopher Wallace. Through raw talent and sheer determination, Wallace transforms himself from Brooklyn street hustler (once selling crack to pregnant women) to one of the greatest rappers of all time; THE NOTORIOUS B.I.G. Follow his meteoric rise to fame and his refusal to succumb to expectations – redefining our notion of “The American Dream.”
A documentary series on life in and adapted to the conditions of the Southern part of the Pacific Ocean, a vast aquatic region with an unequaled number of islands. Both wildlife and human cultures developed in a unique variety, largely determined by such natural conditions as huge distances, sea depths, currents and winds.
In “A Mighty Wind”, director Christopher Guest reunites the team from “Best In Show” and “Waiting for Guffman” to tell tell the story of 60’s-era folk musicians, who inspired by the death of their former manager, get back on the stage for one concert in New York City’s Town Hall.
REAL BOY is the coming-of-age story of Bennett Wallace, a transgender teenager on a journey to find his voice-as a musician, a friend, a son, and a man. As he navigates the ups and downs of young adulthood, Bennett works to gain the love and support of his mother, who has deep misgivings about her child’s transition. Along the way, he forges a powerful friendship with his idol, Joe Stevens, a celebrated transgender musician with his own demons to fight.
Dutch immigrant, Harry deLeyer, journeyed to the United States after World War II and developed a transformative relationship with a broken down Amish plow horse he rescued off a slaughter truck bound for the glue factory. Harry paid eighty dollars for the horse and named him Snowman. In less than two years, Harry & Snowman went on to win the triple crown of show jumping, beating the nations blue bloods and they became famous and traveled around the world together. Their chance meeting at a Pennsylvania horse auction saved them both and crafted a friendship that lasted a lifetime. Eighty-six year old Harry tells their Cinderella love story firsthand, as he continues to train on today’s show jumping circuit.
In the mid-80s, three women (each with an attorney) arrive at the office of New York entertainment manager, Morris Levy. One is an L.A. singer, formerly of the Platters; one is a petty thief from Philly; one teaches school in a small Georgia town. Each claims to be the widow of long-dead doo-wop singer-songwriter Frankie Lyman, and each wants years of royalties due to his estate, money Levy has never shared. During an ensuing civil trial, flashbacks tell the story of each one’s life with Lyman, a boyish, high-pitched, dynamic performer, lost to heroin. Slowly, the three wives establish their own bond.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.