Marty is a 19 year old pioneer woman, recently married. She goes west with her husband Clem, hoping to start a new life. But Clem unexpectedly dies, and Marty finds herself alone, two months pregnant. Clark Davis, a widower, offers her a marriage of convenience: she needs food and money, and he needs someone to take care of his daughter Missie. She accepts his proposal as a temporary solution.
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A postman learns that he doesn’t have much time left to live due to a terminal illness. A devil then appears in front of him and offers to extend his life if he picks something in the world that will disappear. The man thinks about his relationships with ex-friends, ex-lovers, relatives and colleagues who will be sincerely sad when he dies.
Poland, 1962. Anna is a novice, an orphan brought up by nuns in a convent. Before she takes her vows, she is determined to see Wanda, her only living relative. Wanda tells Anna that Anna is Jewish. Both women embark on a journey not only to discover their tragic family story, but who they really are and where they belong, questioning their religions and beliefs.
Paul à Québec is quite simply about life, at its happiest and at its most challenging. Paul and his in-laws offer us a window onto the everyday life of the Beaulieu family, but we also witness the decline of his father-in-law, Roland. Paul à Québec is a hymn to life that reminds us, among other things, of the beauty of those small moments when, in spite of the farewells, life shows us how important it is to savour every instant.
Lilting is a touching, intimate film about finding the things which bring us together. In contemporary London, a Cambodian Chinese mother mourns the untimely death of her son. Her world is further disrupted by the presence of a stranger. We observe their difficulties in trying to connect with one another without a common language, as through a translator they begin to piece together memories of a man they both loved.
Around 1820 the son of a California nobleman comes home from Spain to find his native land under a villainous dictatorship. On the one hand he plays the useless fop, while on the other he is the masked avenger Zorro.
A swirling, impressionistic portrait of an artist who regretted nothing, writer-director Olivier Dahan’s La Vie en Rose stars Marion Cotillard in a blazing performance as the legendary French icon Edith Piaf. From the mean streets of the Belleville district of Paris to the dazzling limelight of New York’s most famous concert halls, Piaf’s life was a constant battle to sing and survive, to live and love. Raised in her grandmother’s brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee (Gerard Depardieu), who persuaded her to sing despite her extreme nervousness. Piaf became one of France’s immortal icons, her voice one of the indelible signatures of the 20th Century.