After Yu’s mother dies his father, a priest, only seems to take solace in the confessions of his sons sins causing Yu to partake in various ‘sinful’ activities to appease him. This is a teen love story as only the Japanese could bring us, complete with up-skirt photography, cross dressing, and bloody gore.
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Carl Fredricksen spent his entire life dreaming of exploring the globe and experiencing life to its fullest. But at age 78, life seems to have passed him by, until a twist of fate (and a persistent 8-year old Wilderness Explorer named Russell) gives him a new lease on life.
When hotel event planner Rachel breaks up with her boyfriend John for cheating on her, she decides to go looking online for a new boyfriend. In the expanse of cyberspace, she meets a charming, wealthy man named Craig, who at first, seems perfect. He’s attractive, fun, romantic, and he’s been successfully running his mother’s global real estate company while his mother, Doris travels the world. But Craig is far from perfect. He’s obsessive and controlling, and once he sets his sights on Rachel, he has no plans of ever letting go…
A parolee (Paul Walker) becomes the target of a massive police manhunt after inadvertently picking up a rental car with a female whistleblower tied up in the trunk. Now, as the police attempt to silence the woman before she can testify about the city’s rampant corruption, the ex-con who just regained his freedom must defend her life, and clear his own name.
Gang leader Jeet Johar and his young, loyal, and often-brutal crew dress like peacocks, love attention, and openly compete with an old style Indo crime syndicate to take over the Vancouver drug and arms scene. Blood is spilled, hearts are broken, and family bonds shattered as the Beeba Boys do anything to be seen and to be feared in a white world.
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
Up-and-coming sports shoe entrepreneur Steve, who is still reeling from the death of his dad, has made a “November rule” in order to keep his distance from the women who seem to be getting too serious about their relationship. Every November 1st, Steve makes up a whopping lie in order to break up with his current girlfriend. However, this year, when he gives the beautiful Leah her walking papers, he realizes his immature and arbitrary rule has just lost him the woman of his dreams. But whether he can win Leah back seems increasingly doubtful, especially after she starts dating pro sports star, James Avedon.
Mob assassin Jeffrey is no ordinary hired gun; the best in his business, he views his chosen profession as a calling rather than simply a job. So, when beautiful nightclub chanteuse Jennie is blinded in the crossfire of his most recent hit, Jeffrey chooses to retire after one last job to pay for his unintended victim’s sight-restoring operation. But when Jeffrey is double-crossed, he reluctantly joins forces with a rogue policeman to make things right.
Splendor is the name of an old movie theater managed by Jordan (Mastroianni), who inherited it from his father. The theater is in decay and only generates debts and trouble, but Jordan gets aid in his almost quixotian quest from projectionist Luigi (Troisi) and ushurette Chantale (Vlady). However, Jordan is finally forced to sell the Splendor to businessman Lo Fazio (Piperno), which plans to transform it in some kind of furniture store. When Jordan leaves the theater for the last time (the very first scene), he recalls the glorious days of Splendor and movies in general.
A robber escapes from prison with a single objective in mind: to track down his former cellmate, a serial killer who intends to pin his crimes on him. A cop is sent after the robber who, despite his best efforts, soon becomes Public Enemy Number One. As the protagonists are driven to their limits, it becomes increasingly unclear who is the hunter and who is the prey.