An exploration of the life and music of Miles Davis.
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Romantic comedy about six of Seattle’s young people, most of whom live in the same apartment building and whose lives revolve around the city’s ever-expanding music scene. The interrelated stories about each character’s progress through the singles scene are intriguing and often very funny, and the soundtrack is a grunge fanatic’s dream, with the likes of Soundgarden, Pearl Jam and Mudhoney.
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London’s criminal underworld seizes an opportunity to assume another man’s identity, transforming into an avenging angel in the process.
A scientist uses his invention – the “Menger Sponge” – to capture the energy of a dead child’s spirit in an old building. In trying to determine why the energy of the ghost does not dissipate, the team discovers the identity and the dramatic story of the boy.
Hugo Archibald is a doctor and brings home a wide variety of exotic animal species. The latest animal he brings home is a chimpanzee named Jennie. Dr. Archibald is not home very much, and Andrew feels he does not care about him. And Lea his wife does not want Jennie, and says she makes trouble. But the children take an instant liking to her. Jennie is unique in that she is learning to use and understand sign language. Jennie becomes an important part of Archibald family and Dr. Archibald’s son, Andrew develops a close relationship with her. Jennie loves the things Andrew does, such as baseball and comic books. Jennie is also there for Andrew when he and his father disagree. A doctor Pamela Prentiss starts training with Jennie. She does not agree with the way Jennie is being cared for, and is seen as being rude to the Archibald family. She teaches Jennie sign language in a way that Jennie does not understand, but Lea finds a way she understands.
Felix Farmer (Richard Mulligan) latest movie flops – and lots of Hollywood types spring into action. Agents are called. Lawyers are retained. Statements are issued. It’s what a master comedy director Blake Edwards calls “Standard Operating Bull,” the subject of his gleefully satiric S.O.B.