The sensational follow-up to “London in the Raw,” “Primitive London” sets out to reflect society’s decay through a sideshow spectacle of 1960s London depravity—and manages to outdo its predecessor. Here, we confront mods, rockers and beatniks at the Ace Café, cut some rug with obscure beat band The Zephyrs, smirk at flabby men in the sauna and goggle at sordid wife-swapping parties as we discover a pre-permissive Britain still trying to move on from the post-war depression of the 1950s.
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Intimate, personalized portrait of women of the 1960s through the eyes of one colorful class that graduated in 1969 – same year as Hillary Clinton – and recently turned 65, starting to explore the New Old Age. At a time when these Boomers’ parents were asking less of themselves, many of these distinguished citizens are asking more, feeling a Third Wind. Where will it take them? Some are determined to keep making waves. The trigger for these revelations/reminiscences is the class’s yearbook. Each photo was a collaboration with a sexy Turkish artist, is full of the 60s spirit of risk, rebelliousness, creativity. Indeed, this yearbook wasn’t a book at all. The portraits came to each alumna loose leaf, in a box. Hence our metaphoric title: Unboxed! Written by Anonymous
Louis Theroux travels to California to meet the man dubbed “the most dangerous racist in America”; Tom Metzger. Louis meets him, his family and his publicity manager as well as following him to skinhead rallies and on a visit to Mexico.
The film discusses the traits and originators of some of metal’s many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
Vancouver-based filmmaker and TV news veteran Fred Peabody explores the life and legacy of the maverick American journalist I.F. Stone, whose long one-man crusade against government deception lives on in the work of such contemporary filmmakers and journalists as Laura Poitras, Glenn Greenwald, David Corn, and Matt Taibbi.
Burroughs: The Movie is the first and only documentary to be made about and with the full participation of writer William S. Burroughs. Howard Brookner began shooting the film in 1978 as his senior thesis at NYU; with Burroughs’ cooperation it subsequently expanded into a feature completed 5 years later in 1983. The film was shot by Tom DiCillo and the sound was recorded by Jim Jarmusch; both NYU classmates. In a collaboration between Burroughs and director Howard Brookner the film explores Burroughs’ life story along with many of his contemporaries including Allen Ginsberg, Brion Gysin, Francis Bacon, Herbert Huncke, Patti Smith, Terry Southern, and Lauren Hutton. Burroughs: The Movie documents Burroughs’ long, controversial and productive life in great detail, film traveling from the American Midwest to North Africa, through defining moments of his wildly unconventional life, including several personal tragedies, charting the development of Burroughs’ unique literary style.
COMIX is a feature documentary on comic books, the comic book world, and the phenomenon surrounding them. It is told through the thoughts and images of some of the greatest talent in the comic book industry like Stan Lee, Frank Miller, Neal Adams, Mark Waid, Marc Silvestri, and John Romita Jr., among many others. COMIX also has tons of interviews with the fans, many in full costumes, as they share their love for the art form, and who have made comics the phenomenon that it is today.
Based on Naomi Klein’s book This Changes Everything: Capitalism vs. the Climate, a look at how people in various communities around the world play a role in the ongoing climate change debate and how they’re affecting change in trying to prevent the environmental destruction of our planet.