A billionaire has 8 hours to get his wife back, with help from armchair combat professionals.
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In a construction site under the full moon, construction workers dig too deep and inadvertently wake up Joe (Alex Lam), a vampire that has been lying underground for a century. Dazzled by the vibrancy of a modern city at night, Joe wanders around and runs into Apple (J. Arie), a jilted girl planning to kill herself. Eager for a taste of blood, Joe follows her home and helps her and her grandmother get rid of thugs sent by a real estate developer who wish to buy them off. What started as a battle for property turns out to be a battle among vampires.
In this rough-and-tumble yarn, actually filmed on-location at the Georgia State Prision, the cons are the heroes and the guards are the heavies. Eddie Albert is the sadistic warden who’ll gladly make any sacrifice to push his guards’ semi-pro football team to a national championship.
A young caterer’s life suddenly changes course when she inherits a country home and learns she must share it with a career obsessed Wall Street trader. At first, these opposites do not attract, but feelings begin to change when they find themselves having to work side-by-side to restore their newly acquired home.
A twisted horror about a dinner party gone wrong. Set against an 80s backdrop, the good time takes a dark turn when one in the group hijacks the evening in an attempt to help the others come clean about their secret betrayals against one another–and is willing to cut through the bone in order to expose the truth.
Set in the late Ming Dynasty, “Brotherhood of Blades” tells of three close friends who serve as Jinyiwei guards. They are dispatched by a palace eunuch (Nie Yuan) to hunt down Wei Zhongxian, a eunuch politician who had been forced to resign from his influential post and exiled from Beijing. The Jinyiwei brothers return successfully from their quest, only to find that their task was but the beginning of a strange conspiracy.
Multi-platinum rap superstars Redman and Method Man star as Jamal and Silas, two regular guys who smoke something magical, ace their college entrance exams and wind up at Harvard. Ivy League ways are strange but Silas and Jamal take it in a stride — until their supply of supernatural smoke runs dry. That’s when they have to start living by their wits and rely on their natural resources to make the grade.
Before Superman, Spider-Man, and Batman, there was The Phantom, the greatest legend in the annals of 20th century comic-book crime fighting. Now, the immortal superhero returns to strike terror in the hearts of villains around the world – and to inspire a new generation to believe in the Ghost Who Walks.
Yuki is the last surviving royal of the House of Takemikazuchi or Takemikazuchi no Hime (たけみかずち の ひめ), who live in a futuristic post-apocalyptic isolationist world where they use their skills as former Mikado guards to become hired assassins. The wise old sage Kuka, who was once Yuki’s mother’s bodyguard, gives Yuki information that changes her life—and her destiny. She discovers that Byakurai has a dangerous connection to Yuki. After learning this information she chooses to leave the House of Takemikazuchi. She soon encounters Takashi, leader of the rebel movement, who offers Yuki a chance at revenge—and perhaps love. They soon discover similarities for they are both trying to escape the past to start new lives….
The Enos duo convince Cletus, aka The Bandit, to come out of hiding and help them promote their new restaurant. With a little coaxing, he agrees, producing an almost-creaky Trigger as his mode of transport. But his nemesis, Sheriff Buford T. Justice, is on the hunt, forcing Cletus and Trigger to hit the road. Can they steer clear of the vengeful sheriff?
Awkward, isolated and disapproving of most of the people around her, a precocious 19-year-old genius is challenged to put her convictions to the test by venturing out on to the NYC dating scene, in this adaptation of Caren Lissner’s best-selling 2003 novel.
Michael Dorsey is an unemployed actor with an impossible reputation. In order to find work and fund his friend’s play he dresses as a woman, Dorothy Michaels, and lands the part in a daytime drama. Dorsey loses himself in this woman role and essentially becomes Dorothy Michaels, captivating women all around the city and inspiring them to break free from the control of men and become more like Dorsey’s initial identity. This newfound role, however, lands Dorsey in a hot spot between a female friend/’lover,’ a female co-star he falls in love with, that co-star’s father who falls in love with him, and a male co-star who yearns for his affection.