A series of murders has shaken the community to the point where people believe that only a legendary creature from dark times – the mythical so-called Golem – must be responsible.
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In 1957, Dorothy and Edmund Yates (Keith and Rupert Davies) were committed to an institution for the criminally insane, she for acts of murder and cannibalism and he for covering up her crimes. Fifteen years later, they are pronounced fit for society and released. However, in Dorothy’s case the doctors may have jumped the gun a bit. Edmund and eldest daughter, Jackie (Deborah Fairfax), try to discover just how far Mother’s bloodlust has taken her. Meanwhile, youngest daughter Debbie (Kim Butcher) begins to explore the crazy roots of her family tree as fully as possible.
When a tribe of cavewomen imparts cruel justice on one of their own their fate takes a turn for the worst. After discovering and falling in love with the corpse sacrificed by the girl-gang, a lone wandering giant of pre-historic mythos is inspired to homicide. Consequently the cavewomen are menaced by the heartbroken and bloodthirsty cave-brute with a grudge, and the prophetess among them is ignored when she predicts the tragic outcome.
Alongside Night is the story of the final economic collapse of the United States as seen through the eyes of 16-year-old Elliot Vreeland, searching for his missing Nobel-laureate-economist father, and the mysterious teenage “Lorimer” whom Elliot meets in a black-market underground, whose own father might be the reason Elliot’s father is missing.
Pinky is an awkward young teen who starts work at a spa in the CA. Desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie’s roommate. Mille is a lonely outcast who desperately tries to win attention with constant upbeat chatter. They hang out at a bar owned by a strange pregnant artist and her has-been cowboy husband. After each of 2 emotional crises, the three woman steal and trade each other’s personalities until they settle into a new family unit that seems to give each woman what she was searching for.
Sang-Hyun, who lost his wife, lives with his daughter Soo-Jin. One day, Soo-Jin is raped and murdered. Frustrated by the lack of progress in his daughter’s case, Sang-Hyun learns the identity of the two men who killed his daughter and the address of one of those two men. Sang-Hyun then goes to the home of that man and kills him. The father is now a fugitive.
Brooks Caldwell, (Cary Elwes) an erudite and handsome lawyer, seems to have it all: wealth, social status and a red hot career. His success is, in reality, a product of his marriage to his beautiful, socialite wife, Amanda, (Terri Polo) a wealthy timber heiress. Unlike most, who would remain content to enjoy a life of luxury and privilege, Brooks continues to risk everything by having extramarital affairs. Brooks’ philandering, in addition to humiliating Amanda, has driven her to the point of a mental breakdown. Having been pushed over the edge, Amanda orchestrates a just and elaborate plan to bring her husband down. When Brooks leaves for a weekend romp with his latest squeeze, (Agnes Bruckner) his life quickly descends into a bizarre, nightmarish, downward spiral.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.