A teen becomes the target of a stalker after she joins a club where participants play a game that grows increasingly sinister.
You May Also Like
New York gangster Ben ‘Bugsy’ Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn’t hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
At an international school in Jakarta, a philosophy teacher challenges his class of twenty graduating seniors to choose which ten of them would take shelter underground and reboot the human race in the event of a nuclear apocalypse.
Choi Hae Kab (Kim Yoon Seok) has been a leftist activist since his university days and having a wife (Oh Yeon Su) and three children hasn’t stopped him from fighting the man. He makes documentaries about social issues, thumbs his nose at the government and raises his kids with a devil-may-care attitude. His children are used to his eccentricities at this point. Hae Kab doesn’t mind if they don’t go to school and he doesn’t worry when his son Na Ra (Baek Seung Hwan, Silenced) runs away from home. One day, Hae Kab’s old friend Man Deok (Kim Sung Kyun) shows up with bad news: their hometown, the southern rural island of Deul, is being sold to a resort developer. With a new fight ahead, Hae Kab picks up and moves the entire family back to Deul for a back-to-basics life.
When the child Arthur’s father is murdered, Vortigern, Arthur’s uncle, seizes the crown. Robbed of his birthright and with no idea who he truly is, Arthur comes up the hard way in the back alleys of the city. But once he pulls the sword Excalibur from the stone, his life is turned upside down and he is forced to acknowledge his true legacy… whether he likes it or not.
It’s 1969 at an English girls school full of seething hormones and turbulent emotions; Lydia and Abbie are best friends, existing largely in a universe of two. Abbie is the undisputed leader, with natural charisma and magnetism, and Lydia is fixated on her friend, having long been emotionally abandoned by her single mum, an agoraphobe who hasn’t ventured outside for years and who barely acknowledges her daughter’s presence. Lydia’s fragile world starts to unravel when her white magik-obsessed brother and Abbie sleep together, and a tragedy and ensuing mysterious delirium overtake the school.
Celestine is a little mouse trying to avoid a dental career; Ernest is a big bear craving an artistic outlet. When Celestine meets Ernest, they overcome their natural enmity by forging a life of crime together.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
It’s San Francisco in 1957, and an American masterpiece is put on trial. Howl, the film, recounts this dark moment using three interwoven threads: the tumultuous life events that led a young Allen Ginsberg to find his true voice as an artist, society’s reaction (the obscenity trial), and mind-expanding animation that echoes the startling originality of the poem itself. All three coalesce in a genre-bending hybrid that brilliantly captures a pivotal moment-the birth of a counterculture.
Fred C. Dobbs and Bob Curtin, both down on their luck in Tampico, Mexico in 1925, meet up with a grizzled prospector named Howard and decide to join with him in search of gold in the wilds of central Mexico. Through enormous difficulties, they eventually succeed in finding gold, but bandits, the elements, and most especially greed threaten to turn their success into disaster.
“Secondhand Lions” follows the comedic adventures of an introverted boy left on the doorstep of a pair of reluctant, eccentric great-uncles, whose exotic remembrances stir the boy’s spirit and re-ignite the men’s lives.